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Vincent Parry, an innocent man, is thrown into San Quentin for the murder of his wife. For a Goodis story it has what might be considered a happy ending. And I think, in this case, the movie improves on the book. It takes what's good about the novel and fleshes it out in ways that
Historian and critic Geoffrey O'Brien said "[Goodis] wrote of winos and barroom piano players and smalltime thieves in a vein of tortured lyricism all his own, whose very excesses seemed uniquely appropriate to the subject matter. As his titles announce—Street of the Lost, Street of No Return, The Wounded and the Slain, Down There—he was the poet of the losers…" *
It is through the movie version of Dark Passage that I discovered Goodis many years ago. And he is now one of my favorite writers – truly the King of Noir. His stories often deal with people who were once riding high and who've fallen on hard times, to say the least.
Goodis did a stint as a Hollywood screenwriter, eventually leaving Hollywood to return to his native Philadelphia, where he led an "interesting" life to say the least.
*Hardboiled America, Lurid Paperbacks and the Masters of Noir; Geoffrey O'Brien; Da Capo Press